Interesting Times; 12 1 feet x 4 feet, vinyl banners, steel cable, 2013
Bambara/Bamana, 7 feet x 6 feet, Steel, 2009 ||| Collaborative Concepts, Saunders Farm, Garrison, NY
Can We Acknowledge? 4 feet x 25 feet x 4 feet, steel, 2003
Can We Acknowledge? detail, 4 feet x 25 feet x 4 feet, steel, 2003
Can We Heal? Europos Parkas, Lithuania, 4 feet x 10 feet x 4 feet, steel, 2000
Garden Gate, Private collection, Ossining, NY, 6 feet x 7 feet x 1 feet, steel, 2004
Granary, steel, 30 feet x 20 feet x 20 feet, Segou. Mali, 2006
Round (Bead), Bead Suite ArtLot, Brooklyn, 4 feet x 3 feet x 6 inches, steel, 2002
Square (Bead), Bead Suite ArtLot, Brooklyn, 4 feet x 3 feet x 6 inches, steel, 2002
Us, Them, We, 4 feet x 3 feet x 3 feet, steel, 1999
With Liberty and Justice for All, 4 feet x 4 feet x 1 feet, steel, 1999
Book of Hopes and Fears, Gratz High School, Philadelphia, 4 feet x 8 feet x 2 feet, steel, 2003
Most Of Us Are Immigrants, Sara D. Roosevelt Park, NYC; 8 feet x 50 feet x 18 feet; steeI, 1997.
Most of Us Are immigrants is in the collection of the Islip Museum on Long Island
Janet’s public works respond to the social and political landscape as well as the physical. This concern affects the form, scale, text, imagery of the finished work. Civic participation and cultural preservation join forces in a collaboration between the community and the artist. Public Art provides a means for citizens to claim public space fostering a feeling of ownership and responsibility. Goldner’s public sculptures flow in and out of her studio practice, sometimes developing from smaller finished works.
